Strings & Sol features incredible performances on intimate stages – the poolside gazebo, beach main stage, and open air palapa late night venue. Get ready for a concert experience unlike any other!
3 Shows From Our Hosts:
Greensky Bluegrass • Yonder Mountain String Band
2 Shows Each From:
The Wood Brothers • Railroad Earth • The Infamous Stringdusters
Leftover Salmon • Kitchen Dwellers
1 Show From:
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Yonder Mountain String Band
The Wood Brothers
The Infamous Stringdusters
Yonder Mountain String Band
Pioneers. Innovators. These are but a few of the monikers that Yonder Mountain String Band has worn since their inception. From the first Yonder shows in the fall of 1998 to their drive-in tour of 2020, this touring force has brought their adventurous musical spirit to countless venues for nearly a quarter century.
Yonder Mountain’s early success was fueled by their desire to make a sound distinctly their own, whether performed on crowded stages or selling out the hallowed Red Rocks Amphitheater. Their traditional take on bluegrass sound was fused with their diverse musical influences ranging anywhere from punk rock to the Grateful Dead.
The combination of the band’s unique personalities extended musical improvisations, their jam band fan culture and their collaborative effort on writing and arranging original songs which span multiple genres—attracted more of a freewheeling jam crowd than the traditional bluegrass scene which, in turn, exposed a whole new generation of fans to Bluegrass.
Kitchen Dwellers twist bluegrass, folk, and rock through a kaleidoscope of homegrown stories, rich mythology, American west wanderlust, and psychedelic hues. The Montana quartet—Shawn Swain [Mandolin], Torrin Daniels [banjo], Joe Funk [upright bass], and Max Davies [acoustic guitar]—have captivated audiences at hallowed venues such as Red Rocks Amphitheatre and performed alongside everyone from Railroad Earth and Twiddle to The Infamous Stringdusters in addition to playing festivals such as Northwest String Summit, WinterWonderGrass, and more. They’ve released two critically acclaimed albums—Ghost In The Bottle  and Muir Maid —and a live record, Live from the Wilma . In the middle of the Global Pandemic, they broke up 2020 with an EP of Pink Floyd covers entitled Reheated, Vol. 2. It was heralded by a two-night livestream concert, Live From The Cabin, beamed out to audiences from the Bridger Mountains. Additionally, they appeared at the Live From Out There virtual festival and even took over a drive-in movie theater for an in-person gig in between regular writing sessions together throughout the year. After amassing 5 million-plus streams, selling out shows, and receiving acclaim from Huffington Post, Relix, American Songwriter, and more, the group brings audiences back to Big Sky Country on their third full-length album, Wise River, working with Cory Wong of Vulfpeck as producer.
After 18 years together, up to 175 shows per year, nearly 1,000 different setlists, six studio albums, and a litany of live releases, Greensky Bluegrass embodies more than just music for members Anders Beck [dobro], Michael Arlen Bont [banjo], Dave Bruzza [guitar], Mike Devol [upright bass], and Paul Hoffman [Mandolin]. Truthfully, it embodies an ironclad creative bond, familial brotherhood, and a lifelong commitment to fans. At this point, it goes without saying the band means everything (and more) to the Kalamazoo, MI bluegrass mavericks. As time goes on, the guys continue to do things for the “right reasons,” and that mindset resonates louder and louder amongst a growing fan base. A live force of nature renowned for bringing rock ‘n’ roll showmanship to high-energy bluegrass, the group has sold out hallowed venues such as Red Rocks Amphitheatre and the legendary Ryman Auditorium in addition to igniting stages everywhere from Bonnaroo and New Orleans Jazz Festival to Austin City Limits and Outside Lands. Their unpredictable performances remain the stuff of legend attracting diehard devotees who typically travel far and wide to experience multiple gigs.
The Wood Brothers
The Wood Brothers didn’t know they were making a record. Looking back, they’re grateful for that.
“If we had known, we probably would have been too self-conscious to play what we played,” reflects bassist/vocalist Chris Wood. “At the time, we just thought we were jamming to break in our new studio, so we felt free to explore all these different ways of performing together without worrying about form or structure. It was liberating.”
Recorded live to tape, those freewheeling, improvised sessions became a vast pool of source material from which The Wood Brothers would go on to draw ‘Kingdom In My Mind,’ their seventh studio release and most spontaneous and experimental collection yet. While on past records, the band—Chris, guitarist/vocalist Oliver Wood, and drummer/keyboardist Jano Rix—would write a large batch of songs and then record them all at once, ‘Kingdom’ found them retroactively carving tunes out of sprawling instrumental jam sessions like sculptors chipping away at blocks of marble. A testament to the limitless creativity of the unharnessed mind, the record explores the power of our external surroundings to shape our internal worlds (and vice versa), reckoning with time, mortality, and human nature. The songs here find strength in accepting what lies beyond our control, thoughtfully honing in on the bittersweet beauty that underlies doubt and pain and sadness with vivid character studies and unflinching self-examination. Deep as the lyrics dig, the arrangements always manage to remain buoyant and light, though, drawing from across a broad sonic spectrum to create a transportive, effervescent blend that reflects the trio’s unique place in the modern musical landscape.
The members of Railroad Earth aren’t losing sleep about what “kind” of music they play – they just play it. When they started out in 2001, they were a bunch of guys interested in playing acoustic instruments together. Shortly thereafter, they took five songs from their budding repertoire into a studio and knocked out a demo in just two days. Their soon-to-be manager sent that demo to a few festivals, and – to the band’s surprise – they were booked at the prestigious Telluride Bluegrass Festival before they’d even played their first gig. This prompted them to quickly go in and record five more songs; the ten combined tracks of which made up their debut album, “The Black Bear Sessions.”
That was the beginning of Railroad Earth’s journey: since those early days, they’ve gone on to release five more critically acclaimed studio albums and one hugely popular live one called, “Elko.” They’ve also amassed a huge and loyal fanbase who turn up to support them in every corner of the country, and often take advantage of the band’s liberal taping and photo policy. But Railroad Earth bristle at the notion of being lumped into any one “scene.” Not out of animosity for any other artists: it’s just that they don’t find the labels very useful. Ultimately, Railroad Earth’s music is driven by the remarkable songs of front-man, Todd Sheaffer, and is delivered with seamless arrangements and superb musicianship courtesy of all six band members.
The Infamous Stringdusters
The GRAMMY® Award-winning quintet — Andy Falco [guitar], Chris Pandolfi [banjo], Andy Hall [dobro], Jeremy Garrett [fiddle], and Travis Book [double bass] — have musical influences that truly run the gamut, but their common denominator is certainly bluegrass — the sound that has in essence defined the course of their career.
The Infamous Stringdusters stand out as the rare group who can team up with contemporary artists on late night television one night and headline the legendary Red Rocks Amphitheatre or perform alongside The Grateful Dead’s Phil Lesh the next, and have recently emerged as proprietors behind their independent record label, Americana Vibes.
The Dusters are a brotherhood, but that family extends beyond the band even. And with most of the past year apart (and off), the guys can’t wait to hear what the future has in store for them musically speaking, and the hope is to bring that very musical joy back into people’s lives.
Few bands stick around for thirty years. Even fewer bands leave a legacy during that time that marks them as a truly special, once-in-lifetime type band. And no band has done all that and had as much fun as Leftover Salmon. Since their earliest days as a forward thinking, progressive bluegrass band who had the guts to add drums to the mix and who was unafraid to stir in any number of highly combustible styles into their ever evolving sound, to their role as a pioneer of the modern jamband scene, to their current status as elder-statesmen of the scene who cast a huge influential shadow over every festival they play, Leftover Salmon has been a crucial link in keeping alive the traditional music of the past while at the same time pushing that sound forward with their own weirdly, unique style.
What began as an all-female festival collab quickly morphed into a serious passion project driven by sisterhood, harmony and humor……along with the shared desire to rage fiddle tunes and smash the patriarchy.
Big Richard is a neo-acoustic super group made up of four well established Colorado musicians: Bonnie Sims on mandolin (Bonnie & Taylor Sims/Everybody Loves An Outlaw/Bonnie & the Clydes), Joy Adams on cello (Nathaniel Rateliff/Darol Anger/Half Pelican), Emma Rose on bass + guitar (Sound of Honey/Daniel Rodriguez/Whippoorwill) and Eve Panning on fiddle (Lonesome Days).
Formed in late 2021, the band gained immediate notoriety for their charismatic stage presence and their vocal/instrumental prowess. After selling out all of their club shows Big Richard quickly started confirming festival appearances across America. 2022 is sure to be a big year!!
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